Delta Zoo

Will Faith Do Us Part?

David Susskind Archive: Gay Rights Pro And Con

David Susskind Archive: Howard Hughes – The Watergate Connection

We Are Not Princesses

The Syrian refugee crisis is not the fallout of the inevitable violence of war, but an intended outcome of a deliberate strategy by the Assad regime to shift responsibility for his citizens to the rest of the world. Those who have fled the violence are not opportunists seeking handouts and social services in the West, but part of a massive humanitarian crisis that is the tool of a political agenda.

In “We Are Not Princesses”, Antigone, the ancient Greek heroine, ignites the spirits of 4 Syrian women living as refugees in Beirut.

In this world-wide, critically acclaimed feature documentary, Feminine wisdom, passed through the ages, connects the inner lives of a group of women providing them with a sense of belonging.  Through intimate verite footage, the film illustrates that which is invisible to the eye: The thoughts, memories and dreams of these mothers, sisters and wives as they grapple daily with past traumas and future uncertainty.

The women featured in “We Are Not Princesses” are living as refugees in Beirut. Four women are highlighted in the film, but others wanted to tell their stories. Their families would not allow them. Creative production animation was used to permit the denied to participate without revealing their identities.

The four featured women are:

Fedwa, 60, is the mother-figure of the group. Despite having lost two sons in two years, she remains determined to hold her family together. Paradoxically, she identifies with Sophocles’ flawed leader, Creon, because of his obstinacy and desire to keep order at all costs.

Heba, 27, Fedwa’s daughter, has, like Antigone, gone through the pain of losing both of her brothers, one of whom she never had the chance to bury as he was shot by a sniper coming out of a Damascus mosque.

Isra’a, 22, believes she is Antigone through and through. She is vocal about how the war has offered an opportunity to liberate Syrian women. She sings a rap of her story of fleeing Yarmouk camp, along with thousands of others, while wearing 4-inch high heels.  Isra’a is self-confident and the other women admire her for it.

Mona, 30, when her son was dying was unable to get him to the hospital in time because of shelling. Now in Beirut, Mona is racked with guilt. Mona is the narrator leading the viewer through the film with her poetic reflections on life in the camps and on Antigone.  Her reflections speak to the universal truths of the film, such as choice and how to regain a sense of self when all that you’ve known has been ripped away.

The film brings forth a unique structure. Built around the development of a theater workshop and the rehearsals for the performance, the structural foundation of the film, “We Are Not Princesses” is not an observational documentary about the putting on of a play. Instead, the film explores how these newfound tools of expression taught in the workshop play out in the lives of the women outside of the rehearsal  and performance space.

The personal experiences and stories of the actresses, as well as their reaction to the play itself, are woven into the structure of the overall experience. Following the four women, we explore the theater space, the domestic space, and the public space of Beirut through an intimate narrative guided by the women’s voices.


Bridgette Auger (Co-Director/DP/Producer): Bridgette is an artist and filmmaker strongly committed to using art for social change. She has lived and worked in the Middle East for over 12 years, covering the Arab Spring in Egypt and Libya as well as the refugee crisis as a result of the war in Syria. Bridgette sought out intimate stories to raise complex questions about sensitive issues. Her credits include The Guardian, New York Times, Die Zeit and the short film “This Is Not Me هاد مو أنا: Enduring Syria’s War”. Bridgette holds a degree in Photography and Imaging from NYU’s Tisch School of the Arts, and a Masters degree in Social documentation from the University of California, Santa Cruz.

Itab Azzam (Co-Director/DP): Itab is a London-based Syrian filmmaker. She won a BAFTA in 2017 for her work producing the BBC Two series Exodus: Our Journey to Europe, and is also a winner of a British Broadcast award and a Liberty Human Rights award. Itab has extensive television experience including the BBC’s Syrian School; the series East West; and Bizarre Foods: Syria for the Travel Channel. She co-founded Sabbara, a Syrian social enterprise empowering women through economic employment and psychological support, and also co-founded the Open Art Foundation, an arts charity that works with marginalised communities around the world.

2018 / 74 Minutes / Color / 16×9 / Arabic with English Sub-titles / A film by Bridgette Auger and Itab Azzam


Public Performance and Digital Site Licenses are available through Soundview Media Partners. To inquire or to place an order, write to or simply choose from the options below:

License Options

For group screening prices, please inquire.

In-home/personal use copies are available on Amazon:


WANP_Trailer from sara maamouri on Vimeo.

Chuck Berry – The Original King Of Rock ‘n’ Roll

The only official, fully-authorized feature documentary on the life and music of Chuck Berry. Directed by Jon Brewer (BB King: Life of Riley). ‘CHUCK BERRY’ tells the story of the Granddaddy of Rock & Roll.

In this highly- anticipated official and fully-authorized feature documentary, the life, impact and history of the absolute instigator of Rock and Roll is revealed with exclusive access to his family, friends, famous fans and the music icons he inspired.

Chuck Berry was the first inductee into the Rock and Roll Hall of Fame along with James Brown, Ray Charles, Fats Domino, the Everly Brothers, Buddy Holly, Jerry Lee Lewis, and Elvis Presley.

Berry’s life has never been covered onscreen. That changes with Chuck Berry” — Patrick Doyle, Rolling Stone

This 2019 filmed biography of Chuck Berry was produced and directed by Jon Brewer who also directed the acclaimed American Masters bio “B.B. King: Life of Riley”. It’s the fascinating story of Berry’s rise to stardom after a few unsavory incidents that landed him in juvenile detention early on.

Importantly, the film is sanctioned by Berry’ wife, Themetta Berry, and family. Most of them, including Themetta (in her very first in-depth interview), make appearances throughout the production. Included in the film too is a veritable pantheon of rock royalty including Stevie Van Zandt, Gene Simmons, Keith Richards, Joe Bonamassa, Alice Cooper, Joe Perry and more, all making on-screen appearances to speak about the man who had such a heavy influence on not just the rise of the industry from its beginnings in the early 50’s but also on their own careers.

The soundtrack includes all the much-loved Chuck Berry hit songs starting right off with Johnny B. Goode which is considered one of the most recognizable songs in the history of popular music and credited as the first rock & roll hit about rock & roll itself.

“Honours the pioneering rock star through conversations with his peers and family members.” — Daniel Ong,

“Focuses on his musical legacy through interviews with the likes of Keith Richards and Alice Cooper and footage from Berry’s estate.” — Ammar Kalia, The Guardian

2019 / 98 minutes / 16×9 / Color / English Language / A film by Jon Brewer


Public Performance and Digital Site Licenses are available through Soundview Media Partners. To inquire or to place an order, write to or simply choose from the options below:

License Options

For group screening prices, please inquire.

In-home/personal use copies are available on Amazon:

Watch the trailer

Sh*% The President Says

Firesign Theatre – Just Folks: Live At The Roxy

Chain Of Life: The Rick Boyle Story

Wuthering Heights (1958)