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Witkin and Witkin

A film about identical twins with distinct visions.

Witkin and Witkin explores the worlds of identical twins, Joel-Peter, a world famous photographer and Jerome, a globally renown painter and lifelong educator.

An intensely human film it addresses the personal philosophies, their practices, their art and importantly their personal relationship. Witkin and Witkin is a film about perception and growing older, as the two artists working in different media shared a childhood but whose lives took very different directions.

Filmed over 4 years, Witkin and Witkin documents the changes they’ve experienced over time and tells its own distinct and disparate narrative along the way.

Filmmaker Trisha Ziff’s “The Mexican Suitcase,” and “The Man Who Saw Too Much” won two Mexican Academy Awards, and Witkin and Witkin has played extensively on the festival circuit including appearances at:

  • PREMIERED at AFI DOCS Film Festival (2018)
  • DOKU.FEST Berlin (2018)
  • OFFICIAL SELECTION – Morelia International Film Festival (2018)
  • OFFICIAL SELECTION – Tucson International Film Festival (2018)
  • OFFICIAL SELECTION – Los Cabos International Film Festival (2018)
  • OFFICIAL SELECTION – San Antonio Film Festival (2018)
  • OFFICIAL SELECTION – DOCFEST, San Francisco Documentary Film Festival (2018)
  • OFFICIAL SELECTION – Minneapolis International Film Festival (2018)
  • OFFICIAL SELECTION – Maine International Film Festival (2018)
  • OFFICIAL SELECTION – Hot Docs Canadian International Documentary Festival (2018)
  • OFFICIAL SELECTION – IDFA, Docs for Sale (2018)

Art enthusiasts will love this doc” – Now Toronto

“A profound meditation on art and an excellent dual-biopic” – Hammer to Nail

The DVD version includes both a Behind the Scenes Slideshow and special introduction by the Director.

About the twins…

Joel-Peter Witkin is an American artist whose constructed photographs depict macabre often grotesque scenes. Working in the vein of the earlier photographers Henry Peach Robinson and Oscar Gustave Rejlander, Witkin carefully builds scenes with cadavers, hermaphrodites, and dwarfs which introduce literary, religious, and art historical allusions. Born on September 13, 1939 in Brooklyn, NY, Witkin earned his BA at the Cooper Union School of Art and later an MFA from the University of New Mexico in Albuquerque. In 2011, a survey book was published, providing a concise insight into the working methods and ideologies of the photographer. Today, his works can be found in the collections of The Museum of Modern Art in New York, the J. Paul Getty Museum in Los Angeles, the National Gallery in Washington, D.C., the Victoria and Albert Museum in London, and the Centre Georges Pompidou in Paris. The artist currently lives and works in Albuquerque, NM.

Jerome Witkin (born September 13, 1939) is an Americanfigurative artist whose paintings deal with political, social and cultural themes, along with serious portraiture that melds the sitter’s social position with a speaking likeness that reveals inner character. Witkin has been succinctly characterized as “a virtuoso figurative painter whose work mixes elements of the old masters, social realism and Abstract Expressionism. Recognized as a prodigious talent, at fourteen he entered The High School of Music & Art in New York, and subsequently studied at the Skowhegan School of Painting and Sculpture, Cooper Union, the Berlin Academy, and the University of Pennsylvania. A Pulitzer Traveling Fellowship enabled him to travel, study and further develop in Europe. After his return to the United States, Witkin received a Guggenheim Fellowship, began exhibiting at galleries in New York and joined the faculty of the Maryland Institute College of Art. He later taught at the Manchester College of Art in England, Moore College of Art, and in 1971 became a professor of art at Syracuse University.

Documentary / 2017 / 90 minutes / English / A film by Trisha Ziff


Public Performance and Digital Site Licenses are available through Soundview Media Partners. To inquire or to place an order, write to info@soundviewmediapartners.com or simply choose from the options below:

License Options

For group screening prices, please inquire.

In-home/personal use copies are available on Amazon: https://amzn.to/3AUwN03

Watch the trailer

Last Days

Whatever May Come

The Universality of it All

We are all part of the same story…

Shot in Paris, Berlin, London, New York, USA, Sarasota, Vancouver, San Jose, and Costa Rica, “The Universality of It All” is a feature-length documentary that focuses on the topics of human migration and inequality, blurring the boundaries between film and documentary through a fresh and nuanced perspective. The film is as intimate, as it is informative as it explains the complexity of human migration by providing valuable data and information, but also by showing how it affects the reality of two friends and their day-to-day lives.

The filmmaker tells the story of his best friend Emad, a Yemeni refugee living in Vancouver, Canada, and by doing so, he ends up arriving at a profound realization about the interconnectedness of all the major events of the 21st century. The film takes the viewer on a journey around the world, analyzing various cases of migration from an economic and historical perspective, while simultaneously delving into the life, thoughts, and experiences of Emad. This back-and-forth juxtaposition between narratives is what allows the audience to see the similarities and correlations that all migrations on earth share.

Other topics addressed include climate change, colonialism, neoliberalism, globalization, identity politics, fertility rates, wealth gaps, trade wars, terrorism, and the media.

Among those interviewed are

  • Catherine De Withol (Research Director at the French National Centre for Scientific Research)
  • Radha S. Hedge (Professor in the Department of Media, Culture and Communication at New York University)
  • Ives Charbit (Professor of Demography, University Paris Descartes)
  • Carlos Sandoval (Columbia Journalism School)
  • Nicolas Boeglin (Professor of International Law at the Law Faculty, University of Costa Rica)

Worldwide critical acclaimed continues to mount through festivals including but not limited to:

  • WINNER – Spotlight Documentary Film Awards (2021)
  • WINNER – Changing Face International Film Festival (2020)
  • SPECIAL JURY MENTION, Documentary Film – Socially Relevant Film Festival (2021)
  • OFFICIAL SELECTION – IOM UN Migration Global Migration Film Festival (2020)
  • OFFICIAL SELECTION – Amsterdam World International Film Festival (2020)
  • OFFICIAL SELECTION – Independent Film Awards Bristol (2021)
  • OFFICIAL SELECTION – Global Cinema Film Festival of Boston (2021)
  • OFFICIAL SELECTION – Voices Rising Film Festival (2021)
  • OFFICIAL SELECTION – Lift Off Global Network Berlin Film Festival (2021)
  • OFFICIAL SELECTION – Bushwick Film Festival (2020)

Documentary / 2020 / 90 minutes / English / A film by Andrés Bronnimann


Public Performance and Digital Site Licenses are available through Soundview Media Partners. To inquire or to place an order, write to info@soundviewmediapartners.com or simply choose from the options below:

License Options

For group screening prices, please inquire.

In-home/personal use copies are available on Amazon: https://amzn.to/3ww8Xo2

Watch the trailer

Power of Moths

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